The National Tap Ensemble, America's national tap dance company, welcomes you to its web site.
"Tap dance is the tempo of America."
Marika Partridge Do you speak English? Parlez-vous français? Sprechen Sie Deutsch?
The popular Tapper's Page Passionate about TAP? Join over 2,500 other tappers who belong to the International Tap Dance Network Very cool products for tap dancers Your purchase will support a great cause as 100% of the proceeds goes toward supporting our Where to find tap shoes, books, magazines, CDs, videos and artwork? Attention advertisers! Would you like to be automatically notified when this web site receives major updates? Have fun with our Polls What do they like? Fill out a quick form and let the world know! The results of Poll #1 have been updated. Results for some of the other polls aren't far from being statistically significant, make your own entry today! Attention tap students and students' parents Visit the Top Tap Teacher page and find out if one of the graduates works in your area. Quick links This web site features over 100 pages and 400 pictures They make navigating through the site much easier! Help support some great outreach work AND a groovy cause
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We're busy, busy! As always, working on some new programs in the field and on some new features for this web to serve YOU and our diverse audiences even better.
Bobby Wishart, Director
On January 24, 2006 the great Fayard Nicholas died of complications from a stroke after a long and amazing career. He was 92 years old. Back in the nineteen eighties I lived a short ten minute drive from the sprawling actors' retirement community where Fayard and his wife Barbara lived, in Woodland Hills, California. I used to go to their cottage and spend delightful afternoons chatting about life, family, and of course, tap. Those of you who know me well, know that I rarely use "big words," but when I think of Fayard the first word that comes to mind is GENIUS. And more exactly these words: a classy, gentle American genius. Classy, because Fayard Nicholas was a man who simply exuded the sort of elegance, class and dignity that one would associate with royalty (well, shall we say... the right kind of royalty.) This was evident in all his works as an artist, as Michail Baryshnikov, Maurice Hines, and many other colleagues have remarked. It was also evident in the small things of every day life, the way he spoke - always using these amazing hands - the way he greeted me, the way he treated people. Gentle, because unlike most in this often brutal business, Fayard Nicholas was a kind, generous soul. Even when faced with the ugliness of in-your-face racism, his wisdom and his innate goodness never wavered. Mahatma Gandhi comes to mind. Genius, because he single-handedly changed our field by creating a unique style of tap that was such a challenging and innovative combination of grace and power that aside from him, only his younger brother Harold in the heyday of tap - and only one other artist since - have ever been able to perform it well - that is to say, in a way that would remotely approach the way Fayard himself would do it. Fayard Nicholas is to tap what Louis Armstrong is to jazz, Einstein to science, Shakespeare to literature or Mozart to the piano. A one-of-a-kind individual. A true genius. And American Genius, simply because in our very young culture - 250 years is nothing compared to many of the countries where I have had the pleasure of being invited - there are very few artists who have defined or re-defined our own US-born traditions. Fayard is one of the few in tap. While King Rastus Brown turned a slave-invented, still quite raw form of percussive dance into the more structured and yet extraordinarily creative form that became known as tap dance, Fayard took it into a totally new direction and elevated it. He elevated the art of tap dance both physically - through those prodigious, orchestra-synched jumps - and figuratively into what he liked to call Classical [American] Tap. I will always regret that I never had the opportunity of working with, or knowing personally, other tap giants such as Eleanor Powell or Baby Laurence. But I am humbled - and I am extraordinarily grateful - that such opportunities did occur with other tap dance luminaries who became my teachers, mentors*, and friends. All helped me become a much better artist. Very few inspired me to become a much better person. Among these few, Fayard Nicholas simply stands out. Thank you Fayard, and may we meet again. There are just too many of those wonderful steps and life nuggets which you haven't taught me yet. Chris Baker [ * Webmaster's note: a list of Mr. Baker's mentors can be found here. ]
Elaine Starr Hurd
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